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An experimental webseries to rediscover the human side of Dante Alighieri and his work, through generative and immersive AI images.
Subject and screenplay by Umberto Vitali.
Art direction by Eugenio Squarcia.
A STUDIOESMA production.
about
STUDIOESMA opened in 2005 as an experiment.
A place without a place, the studio is the virtual creative space of Eugenio Squarcia, transdisciplinary artist and storyteller. Its location is nowhere, yet it is everywhere. A studio as large as reality, as powerful as imagination, as fluid and constantly changing as the need for new languages in creative communication. And yet encapsulated in a single, singular idea.
Eugenio Squarcia — Contemporary Artist. Electronic Musician. Synthesist and New Media Explorer.
He works as a Senior Graphic Designer and Creative Director for alternative brands, cosmetic companies and unconventional cultural projects.
He developed the visual identity for a series of italian design exhibitions in Warsaw, Montreal, Taipei, Shanghai, Hong Kong, Bangkok and Buenos Aires, in collaboration with the Italian Embassy and the Italian Institute of Culture.
Video artist and classically trained musician in the field of modular electronics, under the monikers of Lucien Moreau and Ein Voxel he works as a Music Composer and Sonic Artist for films, games, fashion, contemporary dance + theatre and digital art installations, performing live with a set of digital / analogue instruments, such as piano, keyboards, synthesisers and generative touch devices, mixing up experimental electronic, contemporary classical, ambient, EDM, psytrance and synthwave, with a strong cinematic outcome.
Since 2020, he has been the Artistic Director of Ferrara Film Corto Festival "Ambiente è Musica" (link).
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An imaginary town, a prototype community of tomorrow, located in the Null Prefecture and belonging to an indefinite time — between the decline of Monochrome and the rise of Technicolor. The tale of a mysterious traveler engaged in an interdimensional diplomatic expedition. A paradoxical non-place over which looms a tremendous threat, aka ‘The Great Final Distortion’ or ‘The Great Singularity’.
A vibrant story awaiting to be unraveled. A multidisciplinary experiment conceived by STUDIOESMA in the form of a historical forgery, featuring more than 90 detailed digital collages of old photographs, cut out and assembled in a plausible yet absurd visual narrative.
Greetings From Commonville has previously been exhibited in Milano, Bologna and Ferrara.